Kristin’s practice includes multidisciplinary installations and objects which behave like artefacts, acquiring meaning as they are metonymically intertwined with political, biographical and literary narratives, counterparts within virtual networks, and social exchanges. These objects mark the intersections between myth and fact, absurdity and rationality. At OSE Kristin developed a film and a text which trace the magical thinking and formation of communities within the judiciary system, the corporate sphere, the occult, and the art world.